2023 Upcoming designs with No Fear.(2022/23)

Microfiber prints, T-shirt designs, Percy Box and other 710 Labs packaging designs. (2021)

Several merchandise lines for Dominican artist, Natti Natasha (2019/20)

This is just one of many of social promotions our company initiated for the merchandise of hit reggaeton star, Daddy Yankee. Here, customers could enter to win autographed merch from the man himself. The branding here relfects the Con Calma line. (2019)

Cover Design, original header type and editorial design for Festworld Magazine. (2019)

Geometric EP cover illustrations. (2018)

I did a series of ads for the O-Phos Series of vaporizors, around the horizon of when these types of vapes started to become popular (2010).

Samples from an NFT Series (2022)

Petrobloq became the first company to integrate cryptocurrency into the oil supply chain management field. This is an explainer animation I did for them in Spring of 2018.

As the market moves toward green energy, Petrobloq soon saw itself shifting into a new field away from oil, either way I knew I had to signify Petrobloq as a global entity and facilitator for business transactions. They were an ethereum base application so I wanted to off showing a block in order to get the conversation started on block chain. I then wanted to outline different steps of the supply chain management process, followed by how ethereum/blockchain would be the solution. The wallet for Petroblog was still in beginning stages of design, so I had to animate a rough of how the application would look before it was even developed (2018).

Brand identity and banner animation for Jazz Cat Productions (2018).

I started working at Fabfitfun when we were just launching the acclaimed subscription box. It was branded under FabFitFun VIP, which sent a seasonal box to be receieved by VIP members. Most of our engagement was through social media at the time, so I started a series of lifestyle oriented campaigns, to draw in more subscribers. (2014/2015)

FabFitFun's debut into the subscription box market was partially defined by its uniqueness as a seasonal commodity. Logically from a design perspective, it made sense to tie in the seasonal elements with the reveal of the products as a cohesive and thematic presentation (2014/2015).

Expanding my handle on 3-dimensional forms, I designed a set of glyphs and used them for various album cover. I enjoyed the minimalist, futuristic character the forms took on, and considered how the techno genre had influenced these ideas. This is the first glyph I designed, placed on an 3-track release by DJ and Producer, Monoloc. I also reworked the glyph as the graphic behind a series of stickers promoting my own music projects (Caz).

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In the midst of having the honor of being the illustrator for Inferno: The Graphic Novel, I devised a marketing plan that both promoted the graphic novel that revealed to audiences, the two-part nature of the story. I wanted to refrain from being too referential to the storyline, and yet create a dichotomy of two images that called attention to what the story was about, mysteriously.

Since the story was split into, "Metropolis" and "Wasteland," I decided I wanted to focus on the three dots symbol and have it situated within both environments, the city and the desert.

Cover album for Baja California born and Los Angeles based DJ/Producer Massio.

Branding and Identity for Michelle Pfeiffer's perfume line. Went for clean and yet elegant typeface, keeping the branding high end yet simple and contemporary.

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Logo Designs

Helen & Hard’s new website is a full tour of an original architecture company.

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New identity for Matprat.

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